I’VE GOT A BONE FOR YOU

BLACKHORSE1.1

A performance concerned with complexity of the cowgirl.

A western romance grappling with the devastation of production, celebrating community and questioning the social forces that define symbolic identities.

How different cultures shape different bodies and vice versa? This performance is focusing specifically on agriculture and the sub cultures that stem from it, with interest in cowboys and cowgirls and the difference between the representations of both. Utilising the movement of a dancing body question how bodies construct and are constructed by a culture that has been a key development in the rise of sedentary human civilization.

FLAMES.1

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